This is similar to the previous piece as it was created with ink, watercolor, and water-soluble graphite.
Canvas, metal, and paper prints with framing available here.
This is similar to the previous piece as it was created with ink, watercolor, and water-soluble graphite.
Canvas, metal, and paper prints with framing available here.
This is another ink wash on heavy paper along with water-soluble graphite and some watercolor pencils. I am calling it “conviction” because it looks like something, but I am not sure (yet?) what that is.
Available in canvas, metal, and paper prints at various sizes here.
Not quite like the other “topographical” but still looks a bit like a map with different colored sections and lines and “avenues” of movement. This was created with ink and ink washes on heavy stock paper that had been scored with a sharp instrument. Then, in Lightroom and Photoshop, I worked to bring out the colors and enhance the contrast. The grainy surface is the result of how the ink interacted with the paper.
Prints available at Fine Art America.
This is a piece that appeared “zen style.” After laying down some watercolor washes and waiting for them to dry, I started with the spatter at the top and then did some small movements to create the rest of the dark shapes. The jagged outlines were made possible by the separation of fibers that occurred at the tip of the shodo brush.
Prints available at Fine Art America
I think this is only one geography, but it is likely to be the first of a series, so it gets the plural. This is mostly acrylic ink on mixedmedia stock with some watercolor washes.
Prints available at Fine Art America
Mixed media in every sense of the term. I used various items to create the various shapes and patterns. You can also see ink strokes in there as well as narrower lines created by a very sharp ink pen. The pigment is watercolor on heavy watercolor paper. I’m calling it “topographical” because it resembles a photo of the earth from an airplane.
Prints available at Fine Art America
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