This piece suggests the unknown: perhaps an inner space or another world. Watercolor washes and ink on mixmedia stock.
Available as a canvas or metallic print.
This piece suggests the unknown: perhaps an inner space or another world. Watercolor washes and ink on mixmedia stock.
Available as a canvas or metallic print.
Ink and watercolor on scuffed and scored gesso. The aim of this image was to create something of a third dimension to the colors and ink and how they interact on the surface.
Metallic and canvas prints, etc. at FAA.
This is not a photo of ice, but the textures, cool colors and other effects give it an icy feel.
Ink and ink washes on a thick layer of gesso scored and scuffed.
Available at FAA
Ink and watercolor washes plus some graphite pencil work on paper. As I have mentioned before, the process of creating these pieces is often driven by how the water, ink, and color react to each other. And the result is open to the interpretation of the viewer. Is it a map, a microscopic landscape of some sort, or something else?
See it with the other Projection pieces here.
Like the other pieces in the Projection series, this one was created with ink washes, watercolors, and graphite on paper. The photo was enhanced using Lightroom and Photoshop. The notion of “projection” indicates both the manifestation of an image and an invitation to the the viewer to offer her/his own interpretation.
Canvas, paper, and metallic reproductions available at Fine Art America
Ink, watercolor, and water-soluble graphite on paper. Water washes and runs were used to create the overall effect.
Canvas, metal, and paper prints available. Entire series of 4 here.
This is similar to the previous piece as it was created with ink, watercolor, and water-soluble graphite.
Canvas, metal, and paper prints with framing available here.
This is another ink wash on heavy paper along with water-soluble graphite and some watercolor pencils. I am calling it “conviction” because it looks like something, but I am not sure (yet?) what that is.
Available in canvas, metal, and paper prints at various sizes here.
Not quite like the other “topographical” but still looks a bit like a map with different colored sections and lines and “avenues” of movement. This was created with ink and ink washes on heavy stock paper that had been scored with a sharp instrument. Then, in Lightroom and Photoshop, I worked to bring out the colors and enhance the contrast. The grainy surface is the result of how the ink interacted with the paper.
Prints available at Fine Art America.
This ink wash struck me as a person resting on the floor. But others will have a different interpretation. In addition to the ink applied to paper, I did some modifications in Lightroom to get more color into the image.
Prints available here
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