This is similar to the previous piece as it was created with ink, watercolor, and water-soluble graphite.
Canvas, metal, and paper prints with framing available here.
This is similar to the previous piece as it was created with ink, watercolor, and water-soluble graphite.
Canvas, metal, and paper prints with framing available here.
This is another ink wash on heavy paper along with water-soluble graphite and some watercolor pencils. I am calling it “conviction” because it looks like something, but I am not sure (yet?) what that is.
Available in canvas, metal, and paper prints at various sizes here.
Not quite like the other “topographical” but still looks a bit like a map with different colored sections and lines and “avenues” of movement. This was created with ink and ink washes on heavy stock paper that had been scored with a sharp instrument. Then, in Lightroom and Photoshop, I worked to bring out the colors and enhance the contrast. The grainy surface is the result of how the ink interacted with the paper.
Prints available at Fine Art America.
I think this is only one geography, but it is likely to be the first of a series, so it gets the plural. This is mostly acrylic ink on mixedmedia stock with some watercolor washes.
Prints available at Fine Art America
This is another adventure with ink and watercolor washes on heavy stock paper. More and more, I am finding that the noise of the photograph can actually enhance the effect, especially on the screen.
Prints, including canvas and metal, available at Fine Art America.
This is another crop from the larger ink on watercolor painting I did two weeks ago. The first crop is called Vertical Parallel 1, so this is the second in a series of what will be three. This image is very wide, meaning it comes out very narrow in the format of this site; but if you click on it, you will see a larger version of it.
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