This ink wash struck me as a person resting on the floor. But others will have a different interpretation. In addition to the ink applied to paper, I did some modifications in Lightroom to get more color into the image.
Prints available here
This ink wash struck me as a person resting on the floor. But others will have a different interpretation. In addition to the ink applied to paper, I did some modifications in Lightroom to get more color into the image.
Prints available here
This is a piece that appeared “zen style.” After laying down some watercolor washes and waiting for them to dry, I started with the spatter at the top and then did some small movements to create the rest of the dark shapes. The jagged outlines were made possible by the separation of fibers that occurred at the tip of the shodo brush.
Prints available at Fine Art America
Ink and watercolor on mixmedia stock. In the last week or two, I’ve been adding color to my ink sketches. Sometimes, the color goes on first, so it doesn’t interfere with the ink and is basically a background element. But at other times, I add the color later and let it interact with the ink. In this case, I added the color first as the background.
This one is red and black ink applied to multimedia paper with a flat wood piece and a calligraphic bamboo point that I cut myself. It is part of a larger piece that I wasn’t happy with, but I thought that the core–what you see here–had more interest with the arching, intersecting lines and colors. In addition, I desaturated this a fair amount in post-processing as the red is too overpowering in the original.
Prints available from Fine Art America where it is called “Entropy.”
This was done with ink applied with a flat piece of wood that I fashioned into a calligraphy instrument. The idea was from Hassan Massoudy and some others on Youtube and other places.
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