All posts by dbullardsisken

Memories of the Future

One-of-a kind, signed abstract painting created with a flat instrument to apply ink on 136 pound canva paper. The final look is the result of intentional strokes on a dynamic surface where colors run and blend with each other and water already applied. The creative process is very intuitive as the blending of inks and water often takes its own direction. The title expresses a sense of creation and possibility along with uncertainty.

9 x 12 inches on 136 pound canva paper, which is very canvas-like in texture and stiffness. It is unframed. There is no proper “up,” but I have chosen what I find most pleasing to present here. You may find you prefer it a different way and that is great.

Prints available at FAA; original at Etsy.

Memories of the Future

Context Uncertain

Colored ink applied with a flat piece of wood on mixed media paper with light grey and black washes. I think this is the sort of piece that can evoke very different responses from different people. For me, I like the contrasting values and colors, the negative spaces, the various effects caused by water, and the connections between one area and another. And the co-existence of both clear and degraded boundaries may tell us something about the world we live in.

Prints of different sizes available.

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Extract 6

Colored ink applied with a flat piece of wood on mixed media paper. With this piece, I have started using a wider piece of wood that makes broader strokes. I hope this will allow me to move toward larger art, although this one is still fairly small at around 5×7 inches. In addition to the size of the strokes, I have used mixtures of ink to create blended color effects. These, as with some of the other effects on the piece, are partly unplanned. By adding inks together, I create the conditions for a blend. But how the instrument picks up the colors and consequently lays them on the paper is something that more or less just happens.

See in on Fine Art America

Extract 6

Extract 5

Ink applied with a flat piece of wood on watercolor paper. In pieces like this, I love how the application of the ink with a flat surface is almost always uneven, but in a way that cannot be controlled. As in other pieces, I started with a general sense of where I wanted to go, but then let each of the emerging shapes point to the next.

At Fine Art America here.

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Cityscape 1

I have been working to evoke elements of a city, focusing on rectangular forms, bright colors, and something of a three dimensional presentation.
Acrylic applied with a palette knife.

Fine art prints at this page

Cityscape 1